Tag Archive: justice


Jyrock – an Introduction to Summer

As the summer approaches and we begin looking forward to various outdoorsy music festivals, the first official place to be Jyrock hosted its 25th annual event. Despite the build up, the party was no freakier than usual. The program featured vastly different performances, from different genres, much like previous years. The line-up consisted of guests from abroad, the more accustomed cult-performers, smaller artists, as well as some of the more hyped-up artists of this year – this year on three stages, in stead of the previous two.

Despite the three stages, not one of them functioned without fault. Depending on the distance to the stage, the acoustics ranged from excellent to a slush like cacophony. Restaurant Ilokivi must have had an impact, among other dubious arrangements. The audience was generally at a distance, at all the shows, and it seemed impossible to gain access to the best spots – right next to the stage – as the crowd was packed in mid-way. A couple years back they had the stages in a different arrangement on the top floor, which worked better in my opinion.

Even as the arrangements had their faults, one could not complain about the performances. Although Jyrock has featured some more vivid line-ups, there was not one dull act among this years performers either. There were surprises. Almost all bands sounded better than what I had anticipated and heard from their MySpace pages. An example, G-ODD that has already been booked to Ilosaari and Provinssirock, some of the biggest outdoor festivals of the summer, turned out to be anything than I had expected. In stead of the expected psychedelic sounds, they performed with a much more electric set, which was nothing to be ashamed of!

G-ODD
G-ODD

As is the case in way too many festivals, two of the most interesting performers on Friday were scheduled at the same time. Upstairs featured Shine 2009 (Mikko Pykäri from Regina etc.). In front of the stage, the sounds were all over the place and it was hard to make anything of the performance and at the back, you could hear the house-influenced electro pop from the outdoor stage. Confused. Me.

Shine 2009

Shine 2009
Shine 2009

Downstairs got it right though. Mintzkov from Belgium sounded like a band that the Finnish radio would love, Finnish hockey narrators would love and finally, half of Finland would love. The band reminded me of many different artists, but nothing too clear and obvious. The coarse vocals accompanied by the rest of the crew, gave me the image of Placebo on stage, that were dining with Ash, yet had stolen their attitude from Nirvana. The grunge vibe was not even limited to the plaid shirts. The songs were packed with a punch, some even direct hit material, although I would probably have enjoyed the band more in my teens, due to the prominent somber tones.

Mintzkov
Mintzkov

Hottest act on Saturday was as well a guest from abroad. It’s fair to say that domestic acts put on quite a show before that too. Kiki Paus stage charisma had clearly developed and the toned down performance was among the best I had seen by that band, even as the acoustics dampened the performance notably. TV OFF suffered from similar problems, but their performance seemed to suffer even more due to the problems, which leads me to conclude that they’ve had better shows. Alpo & Tomi were among the best of the weekend. The stage presence was something from a show by Jesse, but the “true to their roots” sounds and Justice influences worked their magic. Based on the two shows I’ve seen by this duo, they are among the best Finnish electro bands and one can only hope they squeeze that record out soon.

Kiki Pau
Kiki Pau

TV Off
TV Off

Alpo ja Tomi
Alpo ja Tomi

It was close that Alpo & Tomi didn’t come out the winners of the best performance of the whole weekend, but still to come was Swedes Bye Bye Bycicle, that actually was sort of a flop for me, even as they were best of the night. On the stage upstairs, the five Swedes jammed on stage and the singer was so tall, that I think he even raised the roof with his head, quite literally, a couple of times. Bye Bye Bycicle has a debut album full of sincerely great indiepop tracks, that went a long way to a great show, even as the stage presence was rather controlled. The live performance did not bring any real added value to the tracks, at least not the way the other performers managed to create it.

Bye Bye Bicycle
Bye Bye Bicycle

All in all, as a whole, the 25th annual Jyrock was just the way one could have imagined it. The stage by the terrace was a nice addition, but the problems encountered already last year, were still problems. Still this adorable little festival in the middle of Finland will lure me out next year, as long as they manage to attract fresh and interesting names as they have so far.

This is the follow up post on this years Roskilde Festival in Denmark. If you missed the previous one, you might want to read that one first, but hey, you’re the one driving. Here is the final post on Roskilde 2009. You’re welcome:

In the previous post, I mentioned a couple Danish artists that had caught my eye during the Roskilde Festival. However I did forget one, since for some reason I couldn’t picture the artist being Danish. I am referring to Rumpistol, whom I then somehow got mixed up with some other artists. I keep thinking of a Radiohead – remix, albeit it does not even exist. It could though. Rumpistol plays with variations of IDM with more experimental elements. His stage performance ranged from from tougher dance to more subtle influences; featuring charismatic bases as well as artistic guitars. The experience was furthermore complemented by guest musicians with their violins and cellos, accompanying the electronica.
MYSPACE: Rumpistol

I must admit, I got confused by another artist as well, that being Cut Off Your Hands. Although the name keeps popping up in circumstances and conversations, the music had somehow got left as an unknown, largely due to the emo – stained name. Since I had a vacancy in my schedule at that point, I managed to witness their show, which left me wondering had I found the best “new” artist this year. The New Zealanders proved to be far more versatile than I had previously imagined, their sounds ranging from popping guitars with vast shoegaze – like sounds, while some songs leaned more on the punk side. At times both elements were present simultaneously, which had me impressed. Later on, on record, Cut Off Your Hands was not nearly as intimate and personal, but the live – experience was the most pleasing I witnessed on the Pavilion – stage.
MYSPACE: Cut Off Your Hands

The Pavilion – stage at Roskilde Festival caters interesting, on the rise names year after year. It is the smallest stage on the grounds with an audience capacity of only 2000 people. The Pavilion – stage has seen many now larger artists performing during the years, including Animal Collective and Grizzly Bear. As is already accustomed, this year the Pavilion featured many artists already known from Pitchfork, like Fucked Up, the Pains of Being Pure at Heart, Black Dice and The Dodos. The Dodos continued their journey to Finland, but gathered an unusually small crowd there, which one can blame Gogol Bordello for, who may have attracted the same crowd. The Dodos played a slightly tuned down show, but the folk – pop was pleasing enough that I started off my week listening to the artists soon-to-be-released album (Listen to Time To Die) and am not regretting it one bit.
MYSPACE: The Dodos

The Dodos at Roskilde Festival 2009

The Dodos at Roskilde Festival 2009

Sure-thing Party starters
If there is something that I would want to critique the Festival line up on, it would have to be the black hole of artists like Justice, Girl Talk and Digitalism and others that are well known party catalysts. However, there was a lot to move to this year as well. Within those lines I was most excited and hyped up for N.A.S.A and Major Lazer, even though these proved to be nothing like I expected on stage. Diplos and Switchs new project Major Lazer had just released their debut, but instead of serving any of their own specials, they did anything but. The stage show seemed like a hot hipster – party mixed together with some dubstep dance features from a couple years back, but occasionally there were some more eccentric mash-ups. A good example is Hot Chip and Darudes Sandstorm, which worked unexpectedly well together. The show time was unfortunately absolute garbage; Sunday evening just before Coldplay.
MYSPACE: Major Lazer

On the other side of the coin, N.A.S.A was responsible for the best Friday night party. Previously those responsible have been Count & Sinden and Digital Mystikz plus guests – but this year delivered just the same. N.A.S.A got the party crazed with their dj-set and even might have played some of the same songs as Major Lazer, hmm? The highlight of that show was undoubtedly their own hit; Gifted, featuring Kanye West, who had performed the day before. N.A.S.A invited the crowd to join them on stage in celebration of their hit, which had the expected results; it didn’t take long for the whole stage to be clogged, security to get upset and the music to be paused. After a brief moment, until everyone was safely behind the security fence, the party continued until the small hours as the raunchy aliens twirled on stage.
MYSPACE: N.A.S.A

Even though this years Roskilde Festival is now dead and buried, fear not! There will be highlights from Germanys Melt! – festival, which is whole other dimension than Roskilde, although some familiar faces will perform there as well (Animal Collective, Diplo and The Dodos.) Given that we make it back alive and that the laptop also survives, you will receive the inside story on Germanys very own and personal Melt! – Festival. Until then, remember to tie your shoelaces.